SOME people from the world of drama, sport and music excel at providing entertainment. Others get by.

Those who are exceptional have iconic status. Many have graced the Michael Parkinson interview. Others were “there”, not necessarily in the background, but just doing what they do best at their particular craft.

The recent deaths of Sir John Mortimer (Echo, Jan 17) and Patrick McGoohan (Echo, Jan 15) highlighted the life and works of two different individuals and talents.

As an author and playwright, Mortimer excelled – perhaps more so at bringing us Rumpole of the Bailey. Some would say it was a characterisation of the creator. Regardless, he transformed the character into something that captured TV audiences.

McGoohan presented us with intensity in his portrayal of a fugitive in Dangerman and perhaps, more poignantly, as an actor and producer of the cult series, The Prisoner, he brought something different to TV drama. As the main character he constantly challenged his captors’ psychological tactics.

As author and actor they perhaps had one thing in common – they both challenged the establishment and a system that seeks to manipulate and dominate. Two different or contrasting scenarios, but attributes that identify “icon”.

Bernie Walsh, Coxhoe, Durham