ASKING Kylie Minogue how she is at the moment is bound to produce the answer she’s “busy busy busy” (at least it’s not “lucky, lucky, lucky’”...), because the 46-year-old is about to go on tour to venues such as Newcastle, so her schedule is pretty packed.

“We’ve got the band in one half of the rehearsal room, and the dancers in the other, with sound guys and wardrobe in another room. It’s like a micro-village,” she says.

“And we’re all amped, chomping at the bit.

“There are so many decisions to be made, so much information to absorb and so on, but it’s a very, very exciting time.”

Being on tour creates a “bubble”, she admits, insulating her and the rest of the crew from the outside world. The build-up can be a confusing time, because she has one foot in her real life, the other in tour-mode.

“It’s a bit odd, but when we’re fully on the road, you can’t really think about anything else, and the crew becomes family. If someone needs a hand or is having an off day, everyone else just rallies around to pick up the slack and helps out where they can.

It’s an incredible thing.”

The forthcoming tour will be the first time she’s taken six songs from Kiss Me Once, the album she released in March this year, on the road. There’ll be a further 18 from the remainder of her career, including a medley or two (“I do love a medley”), a couple of unexpected covers and a full section of her 1980s hits.

“We’ve got access to the actual PWL sounds,” Kylie reveals, referring to Pete Waterman Ltd, home to artists in the Stock, Aitken and Waterman songwriting and production era.

Kylie was among their first breakthrough names, followed by the likes of Rick Astley, Jason Donovan, Sinitta, Bananarama and 2 Unlimited. During the late-1980s and early-1990s, the charts were dominated by PWL acts, with worldwide single sales of 500 million.

“We’ve worked closely with them to get the recordings, and it’s just brilliant,” says Kylie. “You’re going to hear sounds that you haven’t heard since the 1980s. They’re not all in the same key, though,” she adds, revealing that she can’t quite hit the high notes of I Should Be So Lucky any more.

“Better The Devil You Know comes down a semitone, too. If I was doing it once, it’d be fine, but night after night, it’s a lot of strain to get up there. To almost all ears, they will sound the same.”

During the 1990s, she seemed unhappy with her soap star-turned-pop-singer image and released a duet with Nick Cave, Where The Wild Roses Grow – taken from his 1996 album Murder Ballads. This certainly went down well with “serious” music fans, who may have written her off beforehand. But the singer has focused on being a versatile artist, and collaborated with the likes of Manic Street Preachers’ James Dean Bradfield, and dabbled with techno, indie and jazz.

In 2000, she returned and completely reinvented herself once again, with her Light Years album and Spinning Around single.

She says Fever, her eighth studio album released in 2001 – shortly after her worldwide hit single Can’t Get You Out Of My Head – was when she really felt she’d hit her stride, and began to feel confident.

“It takes time,” Kylie reflects. “I still worry about a lot of things, and my anxiety levels can go through the roof, especially on tour, although I don’t think they’re as bad as they used to be. I trust my team, and new people are brought in because they bring something fresh and a new energy. Some things feel different this time around, with this tour. It’s hard to put my finger on what, but there is a different energy. I’ve got I don’t know how many tours under my belt now, but the excitement doesn’t diminish at all.”

She takes her own bed linen on tour, and a few DVDs, although she does like to make the most of any peace and quiet if she can get it.

Even after all these years, she says the hardest thing about touring is adjusting to life afterwards.

“It can be tough,” she says, “and I believe there’s a recognised condition of post-tour depression. When you’ve been away on a tour like this, or any sort of tour where your adrenalin is going every day, it can happen.

“I have friends who say they look forward to doing nothing after tour, but I always tell them that’s the worst thing you can do. Your adrenal glands are screaming, ready to go, so you have to keep active. Whenever I get off tour, I make sure I see all my friends to find out what they’ve been doing. It’s like, ‘Enough about me, what have you been doing?’ It’s very easy to get out of the loop, so it’s great catching up.”

It’s too early to really start thinking about what she might do next year, she says, or when she might record another album; aside from a trip to her native Australia to perform there, she has no other plans.

“My friends all laugh when I tell them I’m having 2015 off, because they know it’ll soon be filled with things to do. But I can’t really concentrate on that now, because all my focus is on the tour.

“If I’m honest, I don’t know the cities I’m playing in that well, but I do have very specific memories of each of the venues we’re going to, and what the crowds have been like in each before. I’m very pleased we’re starting the tour up north, because the crowds there can be the loudest and most vocal, raucous even, and I can’t wait for everyone to see what I’ve got in store.”

EXTRA TIME – KYLIE

  • Kylie Ann Minogue was born on May 28, 1968, in Melbourne, Australia.
  • She released her debut single, a cover of Little Eva’s The Loco-Motion, in Australia in 1987. It was later re-recorded and released in the UK.
  • She has sold 68 million records around the world. Around 10 million were singles sold in the UK.
  • Her 2001 song, Can’t Get You Out Of My Head, reached No 1 in at least 40 countries.
  • Kylie’s 12th album, Kiss Me Once, is out now.
     
  • Oct11: MetroRadio Arena, Newcastle