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Dead good

Waking The Dead (BBC1, 9pm); Age Of Terror (BBC2, 9pm)

AFTER last night's opener, you'll be as confused as me as to who's doing what and to whom in Waking The Dead. The key images repeated over and over again are flashbacks to a gagged woman hanging from chains in a container in a railway siding. Whenever you're in danger of dropping off, the director gives a quick flash of the unsettling sight to jolt you back into life.

This isn't half as disturbing as the behaviour of cold case detective Dep Supt Boyd (Trevor Eve), first seen at the airport saying goodbye, not to his luggage because he's flying from Terminal 5, but to his lady love, Sarah.

No sooner has he said: "I wish I'd never met you" (Boyd's idea of a term of endearment) than we're plunged into the action as a mugger trying to steal a handbag on a railway station platform is pushed on to the track by a woman who proceeds to leap down, give him the kiss of life and then disappears into the crowd.

Her DNA is found at the scene of a murder that took place in 1993. The charred remains of the victim, labelled 27B, have been waiting for identification ever since.

We know after the opening part that this is about terrorists - Palestinian, Basque and Irish - and revenge involving three women whom you don't cross. As the Irish one threatens, perhaps taking her cue from Delia Smith's latest cookbook: "If you mess me about I'll cut your balls off and put them in a blender."

Ratbag Boyd, meanwhile, is on a personal quest involving a boy in a psychiatric ward.

By tonight's episode, he's shouting a lot. He seems incapable of talking reasonably to anyone, suspects or colleagues.

"She's driving me insane," he says of chief suspect, Lore. Pot, kettle, black are the words that spring to mind.

Even Boyd admits: "It's complicated". This becomes obvious as people say things like: "What happened in 1993 is about what happened in 1992."

I'm all in favour of the detective who threatens a suspect with a sheet of sandpaper to get him to talk. She should use it on Boyd to smooth out his rough edges and put him, and us, out of our misery.

Despite all this, Waking The Dead remains a gripping thriller with a plot that just about hangs together by the time all is revealed.

Real terrorists are scrutinised in the first of Peter Taylor's new series, Age Of Terror. His aim is to present "the bloody history of 30 years of terror".

The 1970s were the time of the revolutionary hijacker. He takes as his example the 1976 hijacking of an Air France Tel Aviv to Paris flight by a group of Palestinians and German Marxist revolutionaries. This was no simple hijack as they flew the plane and the passengers- turned-hostages to Entebbe Airport in Idi Amin's Uganda.

With the Israelis sticking to their no negotiations policy, a daring rescue mission was planned.

One passenger got out early, thanks to her own piece of deception. A nurse from Manchester pretended to be pregnant and have a threatened miscarriage. She tells how she decided that: "I'm getting off this plane one way or another and, from that second, I wasn't scared any more because I knew I was going to do it."

Amazingly, the hijackers released her, enabling her to give the authorities valuable information about the situation on board the aircraft.

It's the hostages' candid and poignant stories that make Age Of Terror stand out. One of them, Sara Davidson, kept a diary of her days in captivity, with readings helping convey the awfulness of the situation, not least when passengers were sorted into Jewish and non-Jewish groups. The latter were released.

Taylor puts this terrorist act in the context of today's threats. He recalls his first experience of meeting a terrorist in 1971. That was Angela Davis, who was prepared to die in the struggle to liberate black America.

Today's terrorists have a whole different agenda that makes every one of us a potential target.

10:27am Tuesday 15th April 2008

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