A Mad World My Masters: Darlington Civic Theatre

WRITTEN by Thomas Middleton in the 17th Century, much of the dialogue has been retained which means some concentration is required, particularly at the beginning when the characters are being introduced. Their names are indicative of the bawdy nature of the play: Mr Littledick, Sir Bounteous Peersucker and Sir Andrew Fondlewife – not the original names but altered, apparently, for Sean Foley and Phil Porter’s updated version.

Set in 1950s Soho, the first half is confusing with two sub-plots coming together in the second half which is more amusing and interesting. Some members of the audience shriek with laughter with every mention of a male organ, but there is plenty of genuinely funny dialogue, along with a rapport with the audience which adds to the fun, with sly glances to let us know we’re in on the joke.

There’s live music and wonderful jazz/blues vocals from Linda John-Pierre, who also wades in to assist some of the principals with their songs. The band is above the stage at the back, and the cunningly-designed set is moved around almost as part of the action, so no waiting between scenes.

It’s all done with immense enjoyment, and some of the asides seem to be truly ad lib. There’s a lovely piece of "business" when one of the robbers makes a pun about being caught out by the watch and the entire cast makes a "boom boom" gesture, perfectly choreographed and very funny.

It’s not for everyone, but it is quality theatre.

Sue Heath