NOTHING identifies regional character more effectively than music, and the Heart of Teesdale music project, with its aim of reviving the folk traditions of the dale, has certainly touched the places other music cannot reach. Talented musicians with Teesdale connections proved this as they brought foot-tapping melodies to the Witham in this concert of folk song and dance.

Central to the evening was the premiere of Rooted – A Teesdale Suite composed and performed by a group of young musicians who play under the name of CreamTees. Inspired by dale landmarks, and arranged by professional musicians Sophy Ball and Ian Stephenson, this evocative work caught the spirit of place with the melancholy of Dotherboys Hall, the cascading drama of the Meeting of the Waters and the infectious energy of the Teesside Ramblers’ jigs.

Supporting these talented musicians was an array of accomplished professionals, who brought the rich heritage of the dales to life. Mike Bettison and Rosie Cross reminded us of times past with High Force Agricultural Show. Jim Woodland captured the opening of the Causey Arch, while Grace Smith and Sam Partridge proved that folk traditions continue to flourish with their own infectiously joyous composition, Trip to Saltburn. Martin Carthy, legend of the folk world, generously supported the evening in his own inimical style with Scarborough Fair and the mournfully poignant, Bonny Moorhen.

A special mention must be given for 80-plus year old, Baldersdale-born Septimus Fawcett, playing the concertina inherited from his father with such relaxed perfection it was easy to imagine him playing in his sleep. In the company of Alex Wade and David Oliver, the jaunty, walking-out, going-for-a-stroll melodies of The Woodland Flower were a delight.

Oh, brave new Teesdale that has such talent in it.

Laurence Sach