Certificate: 12A
Running Time: 137 mins
Rating: 4/5

THE concluding chapter of the dystopian saga, based on the novels by Suzanne Collins remains faithful to the books and largely justifies the decision to cleave the final salvo in two.

A nail-biting subterranean set piece, pitting the rebels against a horde of snarling creatures called mutts, is a thing of terrifying beauty reminiscent of Ellen Ripley's hellish encounters with aliens. And Danny Strong and Peter Craig's muscular script doesn't shy away from the moral conundrum of conflict for a generation, whose childhood innocence has been stained with blood.

If Mockingjay - Part 1 dragged its feet, trading glancing verbal blows between Katniss and Machiavellian warmonger President Snow (Donald Sutherland), the concluding salvo lands one devastating blow after another as simmering animosity ignites full-blown slaughter.

Without any fanfare, Part 2 opens on the anguished face of Katniss Everdeen (Jennifer Lawrence) as she recovers from a skirmish with brainwashed Hunger Games competitor Peeta (Josh Hutcherson).

The unified Districts are preparing for an assault on the Capitol and Katniss must lead the charge, guided by District 13's crusading President, Alma Coin (Julianne Moore), gamesmaker Plutarch Heavensbee (Philip Seymour Hoffman) and lovestruck childhood friend Gale Hawthorne (Liam Hemsworth).

Intelligence reveals that President Snow has planted booby traps known as pods around the ruined city in order to annihilate the rebels before they reach his fortified mansion.

Katniss, Peeta, Gale and other valiant allies including Hunger Games victor Finnick (Sam Claflin) venture behind enemy lines to launch a covert strike on Snow.

However, casualties are high and the gung-ho heroine must watch as the people she loves, including her plucky sister Primrose (Willow Shields), risk everything in the name of liberty.

The Hunger Games: Mockingjay - Part 2 is a fitting and relentlessly grim conclusion, distinguished by breathless action sequences that recall the first film back in 2012, before leading lady Lawrence became an Oscar-winning powerhouse.

Director Francis Lawrence signs off in downbeat style, but does make a couple of notable missteps.

Review: Damon Smith